Dancehouse, Melbourne.8 November 2019. If Dancehouse’s recent Swiss Style season shows us anything, it’s that art and the impulses that drive it, like...
The Keir Foundation, Carriageworks, Dancehouse and the Australia Council for the Arts have announced the eight artists and collectives who have been commissioned to make...
Dancehouse, Melbourne. 19 September 2019. Austinmer Dance Theatre is very much a bridge. The company’s focus on young (17-25yo) dancers and their desire...
Dancehouse, Melbourne. 17 March 2019. Sometimes, despite our impatience for spectacle and gratification, we are made to wait. Such is the case...
Dance Massive 2019 is the third iteration of the biennial contemporary dance festival in Melbourne. It spans many venues, and is anchored...
There is a delightful paradox at play right now: the constancy of change. Indeed, if there is one thing that unifies everything...
Dancehouse, Melbourne. 27 September 2018. The thing I most look for in an artist, especially in live performance, is vulnerability. For a...
Dancehouse, Melbourne. 29 August 2018. Usually, if there’s a fern on stage, it’s either a prop or a decorative object. Yet, in...
In the midst of a clickspeed culture, where high paced busyness and visible attainment is the acme of credibility and cool, what...
There is a blackboard wall in a foyer at a specialist dance venue just north of the river in Melbourne, Australia, where...
Dancehouse, Melbourne. May 11, 2018. The trouble with double bills is that they can often seem like two parts lumped together in...
Dancehouse, Melbourne. March 6 and 9, 2018. Although artists often indulge in the fantasy of their own exceptionalism, and others are wont...
The Keir Foundation, Carriageworks and Dancehouse have announced the eight artists who have been selected for the 2018 Keir Choreographic Award, Australia’s...
Much of Helen Herbertson’s story will sound familiar to many in the dance community: a girl in dance classes dreaming big dreams...
Dancehouse, Melbourne. 25 August 2017. Improvisation is a volatile element in the overall chemistry of performance, not simply because it promises a...
“In a way, making shows and art for me are a way to understand things that I’m questioning in life, and to...
Dancehouse, Melbourne. March 19, 2017. Whenever we conceive of order, we are, by extension, also conceiving of chaos. Likewise with classic dualities...
“Dance is a beautiful thing to program because it’s not language-based,” declares Stephen Armstrong, creative director of Asia-Pacific Triennial of Performing Arts...
Dancehouse, Melbourne. November 27, 2016. The notion of durational performance is one packed with ironies. Indeed, we could very well argue that...
Dance Massive, a contemporary dance program in Melbourne that showcases the work of both established and up-and-coming choreographers, has just announced its...
Every one of us has a way of doing things, a kind of routine for living. This “comfort zone” is where we...
Dancehouse, Melbourne. October 14, 2016. The thing that unifies this sometimes provocative evening of dance and installation is the notion of “overlooking”,...