Of the many things we know about Elvis, it is the thriving impersonator industry that looms as one of the weirdest and...
The email said he had just turned 50 and that he was still, quote, fabulous. When I mention this to Andrew Hallsworth,...
A quarter of a century after being established, Chunky Move, Australia’s acclaimed contemporary dance company, celebrates its storied history with a new...
With the onslaught of COVID-19 and the mass shutdown of public events across Victoria and the country, including the planned Green Room Awards...
From its beginnings amongst the urban poor in New York (sometime between the late ‘60s and mid ‘70s), hip hop has gone...
Stephanie Lake has been described as “one of the most important voices in contemporary choreography”, with “gutsy physicality and kooky poetics”. With...
Sydney Opera House, Sydney. 8 August 2018. The audience are seated in the ‘Studio’ at the Sydney Opera House, where graduated seating...
In this second instalment of our Choreography Advice Series (you can find our first interview with Sydney Dance Company’s Rafael Bonachela here),...
Much of Helen Herbertson’s story will sound familiar to many in the dance community: a girl in dance classes dreaming big dreams...
By Rebecca Martin of Dance Informa. Dance Informa’s very own cover superstar Jayden Hicks’ future continues to brighten with a Green Room...
Remi Wortmeyer has come a long way from his first ballet class in Adelaide at the age of three. He is now...
With its pop objects, x-ray screens and technical precision, Larissa McGowan’s full-length debut Skeleton stands poised to flesh out a very promising...
Returning to Australia after a five-year stint in the UK, international ballet principal Matthew Lawrence is ready to do much more than...
Queensland Ballet’s Artistic Director Li Cunxin has announced two exciting additions to the company in 2013. Matthew Lawrence, former Principal at the...