Ballet Collective Australia (BCA) is thrilled to offer a unique opportunity for young dancers across Australia to be part of an extraordinary experience. This year, BCA invited dancers to immerse themselves in the creative process under the guidance of emerging Australian choreographer Liam Blair, culminating in a prestigious performance at the Sydney Opera House in July. This initiative is dedicated to artistic development and innovation, providing dancers with the opportunity to perform on a world-class stage. Partnered with Sydney Eisteddfod and supported by MDM Dancewear, the project promises an unforgettable experience for all participants.
BCA conducted its auditions in Sydney, Melbourne and Perth in February. The selection panel included Slava Tutukin (International Director and Producer), Sonya Shepherd (Director and Teacher), David McAllister AC (Former Artistic Director of The Australian Ballet and Royal New Zealand Ballet, Director of West Australian Ballet), Simone Goldsmith (former dancer and Head of Brand at MDM Dancewear), Leanne Stojmenov (Rehearsal Director at West Australian Ballet), Justine Miles (ballet teacher), Vicki Attard (Interim Director of the Houston Ballet Academy, International Guest Coach), and representatives from Sydney Eisteddfod, who had the privilege of discovering the next generation of talent.
Join Dance Informa as we sit down with Slava Tutukin to discuss the vision behind BCA, the benefits for dancers and why experiences like this are crucial for emerging talent.
Can you tell us how Ballet Collective Australia (BCA) was created and what makes it unique compared to other dance initiatives in Australia?
“Ballet Collective Australia (BCA) was established in response to the demand for professional performance opportunities within Australia. Performing on stage in front of a live audience is the essence of the profession and a vital part of the educational process. Connecting with other dancers and industry creatives is crucial for developing professional skills and personal relationships. We decided to combine both aspects and offer this unique experience for dancers from across Australia to perform together on the iconic Sydney Opera House stage.
Additionally, this initiative’s uniqueness lies in the support of many highly regarded professionals in the Australian dance industry, as well as Sydney Eisteddfod and MDM Dancewear. BCA is fully independent and not linked to any school or company, aiming to reach and offer this experience to as many dancers from around Australia as possible. Of course, performing on the Sydney Opera House stage is a very attractive opportunity. Importantly, we also aim to offer an educational component where dancers will be coached and guided.”
Emerging choreographer Liam Blair is known for his innovative work. What can participants expect from their experience working with him in the choreographic workshops?
“Liam Blair, originally from Perth, had a very successful international career as a dancer, working with choreographers such as Alexander Ekman, Ohad Naharin, Jiří Kylián, David Dawson, Johan Inger, Stijn Celis, and Ben Van Cauwenbergh, whose styles are very different from one another but innovative in their own ways. These and other choreographers have inspired Liam to search for new body languages while maintaining a traditional classical base. He draws inspiration from the dancers in front of him, making each work unique. Every new creation is a surprise; this time, he has prepared something very special.”
Could you describe how participating in this project will impact the dancers’ artistic growth and future opportunities in the dance world?
“Artistic growth does not occur in a steady, linear progression but rather in leaps and breakthroughs, inspired mainly by individual moments, people and experiences. BCA has prepared all the right ingredients to offer dancers an atmosphere where they can thrive: innovative choreography created for them, the best industry professionals guiding them throughout the process, beautiful music, the exciting Sydney Opera House stage, and, last but not least, sharing this experience and stage with dancers from all around Australia.”
What were the key factors or criteria considered during the selection process for dancers?
“We looked for personalities. Of course, dancers need to have an appropriate level of technique, but their artistry and energy will be equally important. Artistry is the essential component in ballet that makes it different and so interesting; telling a story and playing a character by using body language is a very intriguing part of the profession.”
How important is diversity and inclusion to the Ballet Collective Australia project, and what steps are being taken to ensure equal opportunities for dancers from all backgrounds?
“Diversity and inclusion are fundamental to our initiative and are drivers of artistic excellence and innovation. Dance creation flourishes when it involves a diverse range of traditions, experiences and perspectives. We will not only foster an environment where everyone feels valued and supported but also actively seek solutions and funds to provide dancers with assistance in receiving equal opportunities. BCA is a not-for-profit initiative with the sole goal of creating opportunities for emerging generations of dancers across all cultural, social, and economic backgrounds.”
What key benefits will selected dancers gain from participating in the workshops and final performance at the Sydney Opera House?
“Besides valuable professional-creative experience, dancers will forge friendships and connect with industry professionals from across Australia, which is very important.”
How do projects like this play a vital role in helping young artists advance their careers and gain exposure in the dance world?
“Being comfortable on stage in front of an audience is not an easy skill. While it may be easier for some, it is more challenging for others. Similarly, being an active part of a new creation is very different from learning a classical ballet and being comfortable, as well as being an active part of the creation comes with experience. This project will guide dancers in this process, which will significantly help to advance their careers. Exposure to the dance world and the audience is a vital part of this process and is ensured at the highest level for this project.”
Are there plans for similar projects or expanded opportunities for dancers in the coming years?
“We are working on expanding this initiative further in the coming years, creating more opportunities for dancers to perform. In addition, I am developing something very exciting that will strengthen the connection between Australian talent and local and international professional opportunities. I cannot share too much just yet, but I encourage dancers to stay tuned for more details soon.”
For more details, follow Ballet Collective Australia on Instagram: @balletcollectiveaustralia. You can also find exciting updates and events on the website: www.balletcollectiveaustralia.com.
By Renata Ogayar of Dance Informa.
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