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NZDC and ‘The Absurdity of Humanity’

NZDC's 'The Absurdity of Humanity'. Photo by John McDermott.

Promising its most provocative and poetic season yet, The New Zealand Dance Company (NZDC) will premiere its double bill, The Absurdity of Humanity, in Auckland at Q Theatre later this month. A trans-Tasman offering of sorts, works by Australia’s Lina Limosani and New Zealand’s Ross McCormack will make up the program, overseen by NZDC Artistic Director Shona McCullagh.

Limosani, who first established a name for herself as a highly-acclaimed member of Garry Stewart’s Australian Dance Theatre (ADT), began her choreographic development through ADT’s in-house choreographic seasons in 2000. National and international residencies and commissions soon followed. Her contribution, Whispers from Pandora’s Box — billed as “Kill Bill meets Elizabeth I” — continues Limosani’s interest in the fusion of elements of theatre with forms of intense physicality.

New Zealand Dance Company

NZDC’s ‘The Absurdity of Humanity’. Photo by John McDermott.

“It is motivating me to find unique ways to bridge the gap between narrative and contemporary dance,” she observes. “By taking the things that interest me such as comedy, slapstick, theatre of the absurd, clowning and horror, and blending it with my own physical history as a dancer and performer, I’m deliberately creating a fusion of genres.”

She adds, “I am using this ‘genre mash-up’ to explore new models of communication and discover alternative ways of expressing myself in this world.”

Beginning as a research topic and first presented as a 15-minute piece of choreography for 14 students at the New Zealand School of Dance in 2011, Whispers from Pandora’s Box has since undergone considerable development. “It is wickedly entertaining,” she teases. “Dance, theatre and storytelling are combined to bring wit, humour and horror to the audience experience.”

Matter by Ross McCormack (Creative New Zealand’s 2015 Choreographic Fellow) comprises the other half of the NZDC’s double bill. Inspired by several multi-disciplinary artists, Matter contemplates questions of purpose, indecision and environment, and also promises to be fairly theatrical, utilizing poles as “spear-like plinths forcing the space apart”.

A 2001 graduate of the New Zealand School of Dance, McCormack worked with the Douglas Wright Dance Company and the Royal New Zealand Ballet before joining ADT in 2003 where, like Limosani, he, too, worked closely with Stewart.

The Absurdity of Humanity also showcases talented dancers Eddie Elliot, Carl Tolentino, Chris Ofanoa, Chrissy Kokiri, Emily Adams, Katie Rudd, Xin Ji and founding company members Lucy Lynch and Tupua Tigafua.

To book tickets, click here

By Grace Gassin of Dance Informa.

Photo (top): NZDC’s ‘The Absurdity of Humanity’. Photo by John McDermott.

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