Dancehouse, Melbourne. 20 February 2020. How does the world enter the soul? Can a nation reside in the body of an individual citizen?...
Dancehouse, Melbourne.14 February 2020. We think of dance as being centred in the body, but what if that body were not human?...
Carriageworks, Sydney.16 January 2020. Stephanie Lake’s literally colossal production of Colossus has just hit Sydney Festival with a bang. From its premiere in Melbourne,...
Arts Centre, Melbourne.3 October 2019. Extraordinary! Spectacular! Lavish, colourful! All the superlatives apply. Yang Liping’s re-imagined Rite Of Spring is an exquisitely detailed,...
East Sydney Community Centre, Sydney. 27 September 2019. Sydney-based independent dance entity DirtyFeet, presented its much-anticipated annual emerging choreographer program, ‘Out of the...
Chapel Off Chapel, Melbourne.6 September 2019. Even the strongest dance fan is in danger of moments of switching off during a dance...
The 2019 Victorian State Schools Spectacular (VSSS) is fast approaching and as always promises to be an incredible show. This year’s production, Made...
Aspiring choreographers have a new resource: an introductory handbook on choreography by Kate Flatt. Flatt is a choreographer, movement director and teacher. She...
For choreographers, The Rite Of Spring is as close to a rite of passage as it gets. Made famous by the scandalous Ballets...
The Concourse, Chatswood, Sydney.20 July 2019. The production of Elements Of sounded most exciting on paper but was perhaps disappointing in the final...
You are at a bus stop. There is a snowstorm. You are waiting. Or perhaps you are an explorer, your companions already...
Sydney Opera House, Sydney.5 July 2019. Between Tiny Cities is the second full length production by ex b-boy and now choreographer Nick...
Last month, we asked, “Is ballet future proof?” This month, we dig deeper, and ponder what comes next for an artform sandwiched...
Come From Away has flown in the talented Richard J Hinds from 16,000 km away (New York City), to bring the award-winning musical...
In writing this article, I was motivated by the fact that as I travel around the U.S. judging competitions and doing master...
When I was a young dancer, one of my biggest frustrations was not being able to pick up choreography quickly, but I...
The Old 505 Theatre, Sydney. 24 May 2019. Old Life/Dead Life is the first full-length work by emerging choreographer Eliza Cooper. After...
Malthouse Theatre, Melbourne. 16 March 2019. Sunday morning, skeleton tree Oh, nothing is for free In the window, a candle Well, maybe...
East Sydney Community and Arts Centre, Sydney. 23 March 2019. As part of March Dance, this exciting programme presented four works in...
There is a delightful paradox at play right now: the constancy of change. Indeed, if there is one thing that unifies everything...
It’s like a jungle sometimes, it makes me wonder how I keep from going under… At first glance, the connection between the...
In a land far, far away, full of ice and whiteness… There was a young Norwegian rhythmic gymnast who was far more...