Dance Informa Magazine
Interviews
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89Sydney Festival 2024 promises to be bolder than ever
The mainstay of Sydney’s high summer season, Sydney Festival, sails back this January with a first class line-up of world premieres, extraordinary...
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502Stefan Lagoulis: Ready for the big no-brainer
We rarely see it, even though we know it’s there. The hours, the rejections, the sticky tape that holds the facade in...
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218Li Cunxin AO: A victim of his own success and a rare unicorn?
When we think of Li Cunxin AO and Queensland Ballet, it’s hard not to think of the successful and savvy businessman/artist who...
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346Organisational muscle: Hilary McKenna becomes executive director of Co3
Social, folk or theatrical; dance activity often coalesces around groups and organisations (associations, troupes, companies, etc.). What this entails is a level...
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835Chills every single time: Christian Ambesi in ‘Wicked the Musical’
Twenty years since its premiere on Broadway, Wicked the Musical returns to Australia. Based on the novel by Gregory Maguire, and adapted...
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1.5KWorld-class principal artist Lisa-Maree Cullum to take the artistic helm at Tanya Pearson Academy in 2024
The globally renowned Tanya Pearson Academy (TPA) based in Sydney, has recently announced the appointment of Lisa-Maree Cullum as artistic director of...
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608From concept to campaign: A glimpse into Studio 7 Dancewear’s creative process
Studio 7 Dancewear is a family-owned Australian brand that has grown to become a much loved and trusted label over the past...
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359Broadway smash hit ‘Rent’ to tour Australia in 2024
Award-winning producer LPD Productions has declared there is “no day like today” as it announced the multi-Tony Award-winning rock musical by Jonathan...
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732Trish Squire’s Spectrum Talent Agency: Longevity and an open mind
There are times when the clues are hidden in plain sight. As much as we might talk about the arts, we are...
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740Caroline Bowditch: Movement in the making
“How can you work with dance to explore what bodies are capable of?” With this question, Caroline Bowditch (dancer, choreographer and CEO...
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776Stephanie Lake’s dance sensation ‘Manifesto’ returns to Melbourne
Stephanie Lake’s explosive Manifesto is coming to Arts Centre Melbourne’s Playhouse from 25 – 28 October much to the delight of Melbourne audiences who may missed out on the...
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669Meet the choreographers of Sydney Dance Company’s ‘INDance’
Over two weekends in August, Sydney Dance Company and the Neilson Foundation will be supporting INDance, an independent dance program held in...
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537Antony Hamilton’s ‘4/4’: Doing the math
4/4. It sounds like the simplest tempo. But what if there was a deeper dive? From his early days in the street scene to his present...
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530Wildness, politics and humour: ‘ESCALATOR’ by Stephanie Lake Company
Known for distinct athleticism and precision, as well as striking choreographic images, Stephanie Lake is using her company to support the work...
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575Will Centurion: Aim to improve by 1% every day
Mental health, performance strategies and self-regulation are key elements for personal and professional success. Will Centurion, Counselling and Life Coaching for Actors,...
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1.1KKathleen Curwen-Walker: Leading the way in adult ballet
Kathleen Curwen-Walker is passionate about engaging adults in ballet. Based in Auckland, New Zealand, Curwen-Walker has developed a distinctive training program for...
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797Australia’s finest tap dancers, The Tap Pack, are back!
It was 10 years ago when a group of Aussie mates while catching-up at their local pub had an idea to create...
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744The challenge of choosing: Todd Patrick talks audition season and the AOC Scholarship Initiative
We all like choice, except sometimes when we are asked to choose. Because some choices can be tough, others easier to avoid....
