Hayes Theatre, Sydney.
24 November 2024.
Step into a world of snowflakes, song and dance as Holiday Inn, presented by Well Done Creative in association with Hayes Theatre Co., takes centre stage at the Hayes Theatre this Christmas season. The iconic Irving Berlin musical has been reimagined with heart, energy and a touch of Sydney’s festive flair. If you’re looking for a holiday escape full of timeless tunes, dazzling choreography, and a cast brimming with talent, look no further than this remarkable production.
Debut director Sally Dashwood has burst on the scene, making her mark with this creative work of golden era theatre repertoire, expertly guiding this young cast to a production that is both transportive, full of clever and humorous moments, with exceptional dance excerpts. Dashwood, along with choreographer Veronica Beattie George are a dynamic pair, having worked together to create a special kind of magic in bringing Holiday Inn to life.
From the moment you enter the theatre, you’re greeted with an unexpected yet exhilarating pre-show experience. The unmistakable hum of the onstage jazz band fills the air as the audience is transported to a vibrant New York underground nightclub. This opening sequence, a delightful fusion of rhythm, jazz and tap, sets the stage not only for the show’s high-energy dance numbers but for the tone of the entire production, transitioning into the opening performance of leading trio Jim Hardy (Nigel Huckle), Ted Hanover (Jacob Steen) and Lila Dixon (Emma Feliciano). Huckle, Steen and Feliciano immediately captivate with their distinct, complementary talents. As the charming and lovable Jim, Huckle brings a grounded earnestness to the role, while Steen’s portrayal of the dashing, womanizing Ted is filled with wit and charisma. Feliciano, as the vibrant and spirited Lila, exudes an effervescent energy that balances perfectly with her male counterparts.
Moving to the inn, the set design by Bella Rose Saltearn has a quaint, vintage feel that works with the overall aesthetic of the show, evoking the golden era of Hollywood in perfect harmony with the script, choreography and intimate nature of the small theatre.
The choreography bursts with energy and precision, and what truly makes this production sing is the extraordinary partnership between the director and choreographer. From the underground nightclub scene to the final curtain call, their collaboration creates a seamless, highly energized experience. Each dance sequence is meticulously crafted to enhance the narrative, and the choreography feels so natural and integrated with the storytelling that it becomes an essential part of the character development.
The choreography doesn’t just look great — it feels deeply connected to the emotional arcs of the characters. Whether it’s the lively “Steppin’ Out with My Baby” or the romantic elegance of “It’s a Lovely Day Today,” every movement is designed with purpose. There is an old-world feel, with attention and thought given to each detail, and a cast that delivers beautifully. There are a few numbers with fantastic intricate tap choreography in this work, which is so thrilling to witness in a time where tap is not the most performed genre, with very talented triple threat performers that can bring home the energy and get the audience excited and enthralled.
The costumes (designed by Brendan de la Hay) interchange between sharp tuxedos and elegant gowns, to fun ‘dance number’ leotards, sequins, and samba layers, along with fun everyday outfits that transport you right to the 1940s, all adding an extra layer of visual vibrance to the show. Multicoloured brogues, heels and sparkly shoes are a treat for each dance number. The colourful, creative costumes work seamlessly with the vibrant choreography, enhancing the joy and playfulness of the production. The attention to detail in the wardrobe helps to root the show in its time-period, while still allowing it to feel fresh and visually exciting.
Notably, it is the performance of Mary McCorry as Linda Mason that truly elevates the entire production. McCorry is nothing short of perfection in the role, embodying the timeless charm and elegance that the part demands. With her poised, sparkling presence, McCorry channels the grace and sophistication of old Hollywood icons like Debbie Reynolds and Ginger Rogers. Her Linda is a delightful blend of sweetness and strength, capturing the essence of a woman who is both independent and vulnerable, playful yet earnest. From her warm, radiant smile to her effortless chemistry with the rest of the cast, McCorry brings a rare, golden-age magic to the stage that feels as though she stepped straight out of a 1940s musical.
Huckle as Jim Hardy brings an earnest and lovable quality to the role, capturing both the vulnerability and the comedic timing that make Jim such a delightful leading man. His vocals are exceptional, capturing that old world dreamy charm, and nailing the high stakes of “White Christmas” beautifully. Steen, is a true triple threat — equally at ease with his sharp tap dancing, his charismatic singing and his comedic flair. Steen’s Ted is a delightful mixture of swagger and vulnerability, making him impossible not to love.
Another standout in the cast is Paige Fallu as Louise Badger, whose comic timing and infectious energy light up every scene she’s in. As the inn’s ever-enthusiastic and occasionally bumbling caretaker, Fallu delivers her lines with sharp wit and endearing charm, making Louise one of the show’s brightest sparks. Whether delivering a zinger or playing off the other characters’ antics, Fallu’s performance is a pure joy, bringing levity and laughter to the stage.
The rest of the cast also delivers strong performances, each adding their own unique sparkle to the production. As an ensemble, they work seamlessly together, with every performer bringing their individual strengths and energy to their roles. Their collective talent creates a vibrant, dynamic atmosphere, and each member plays an essential part in making the show shine.
Perhaps the true star of this production, however, is the musical score itself (musical direction by Abi McCunn and Dylan Pollard). Irving Berlin’s timeless songs — many of which have become synonymous with the holiday season — shine with a fresh, invigorating energy. Classic tunes like “White Christmas” and “Blue Skies” have lyrics and melodies still ringing true as they did decades ago. The vocal performances are exceptional across the board, with the ensemble harmonizing effortlessly and the leads delivering each number with such clarity and emotion that it’s impossible not to get swept up in the music.
The team at Well Done Creative and Hayes Theatre Co. have outdone themselves in creating an immersive, festive world where every detail is meticulously crafted. There’s a feeling of joy that permeates the entire production, making it clear that Holiday Inn isn’t just a show; it’s a celebration. If you’re in Sydney and seeking the perfect holiday show that combines classic charm with a contemporary twist, Holiday Inn at the Hayes is a must-see.
By Linda Badger of Dance Informa.
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